Database

The facial lines are of Indian inspiration. The uṣnīṣa is depicted as a high, spiky frontal bun. The hair has here arriv...

The uṣnīṣa is frontal, high and pointed. The locks of the hair are stylised, rendered in elongated cavities. The traits ...

The hair is very damaged. Curls frame the bottom, while the bun and the back of the hair are more or less smooth. A few ...

Fragment of a Bodhisattva head, badly damaged. The facial traits are idealised, the turban is bordered by a headband mad...

This Bodhisattva is coiffed with a headband closed at the top and decorated with a palmette, perhaps a flower. The face ...

The medium-length hair is treated in rows of almost triangular curls, in the shape of flames. This Bodhisattva wears a d...

The border between the forehead and the shaved head of this monk is rendered in a rather crude way. The facial features ...

The lock of the young novice consists of a plait, tightened by a band in its middle, which rests on the top of the shave...

This group consists of three standing monks, one with a missing head. One of them brings an offering of flowers on a pla...

This character could be Indra, a Bodhisattva or a secondary deity. He wears a turban with a central decoration that is d...

Two rows of curly locks frame this idealized face; the rest of the hair is very damaged: only a fan-shaped palmette can ...

This warrior is wearing a turban with a disc-shaped front clasp. At the back, this cap is decorated with a puff. His hai...

This warrior takes on the features of a Western male deity, Poseidon/Neptune or Zeus/Jupiter. The voluminous hair is tre...

This warrior in a Atlas-like position is wearing a polygonal helmet and a thick, edged tunic with an elaborate collar. H...