Database

The Buddha bears two of the characteristic marks: the uṣnīṣa and the deformed earlobes, a reminder of his princely child...

The face of this Buddha is of Hellenistic inspiration: straight cut of the superciliary arch, aquiline nose and thin mou...

Despite deterioration due to the removal of the ūrṇā and breaks in the nose and uṣnīṣa, this Buddha head is quite well p...

Although very damaged, this head of Buddha still bore the trace of the gold leaves that covered it. There are still a fe...

The asymmetry of the face, the drooping eyes, the frowning eyebrow, the irregular nose, almost hooked in profile, the mo...

The features of this Buddha bear a strong Hellenistic influence: straight cut of the eye, long and aquiline nose, progna...

This very eroded Buddha's head is slightly brachycephalic. It looks like the ūrṇā in the center of the forehead has been...

Buddha's head broken along the cheek to the chin, the top of the skull is missing. The hair is treated in beautiful wavy...

The Buddha is depicted with a round, childlike face, which is reminiscent of some putti. The nose is wide, the mouth is ...

This Buddha head is very damaged. The facial expression is saddened, tired, due to the drooping eyes and heavy eyelids. ...

The hair is stylized, the undulation is rendered by a set of hollowed out wavy furrows. The type is of Hellenistic inspi...

This work is carefully executed. The hair and the uṣnīṣa bun are treated in curly locks running from front to back. Her ...

The uṣnīṣa is placed very high on the forehead. The hair is treated in wavy strands figured by deep grooves, running fro...

The skull is slightly brachycephalic. The bun uṣnīṣa and the hair are treated in deepened furrows parallel to the forehe...

The hair and the uṣnīṣa bun are treated in wavy strands running from front to back. There is no trace of the ūrṇā. The f...

The hair and the uṣnīṣa, placed very high on the skull, are treated in wavy strands running from front to back. The bust...

The strands of the hair and the uṣnīṣa bun are treated in wavy furrows. There is no trace of the ūrṇā. The face of the B...

The skull is slightly brachycephalic. The uṣnīṣa has disappeared. The undulations of the hair consist of very regular wa...

The hair and bun are treated in very schematic wavy strands. A line of red paint encircled the hair and enhanced the eye...

The hair and uṣnīṣa of the Buddha are treated in wavy furrows running from front to back. It is noticeable that the hair...

The hair and bun are treated in wavy strands. The ūrṇā is represented by a stucco button at the junction between the nos...

The hair and the uṣnīṣa are highly stylised, treated in wavy furrows parallel to the forehead. There is no longer any tr...

The uṣnīṣa is, like the hair, wavy from front to back. The ūrṇā is figured by a small stucco button placed barely above ...

The face of this Indian-style Buddha is elongated and thin. The hair and the uṣnīṣa bun, very imposing here, are treated...