Database

The hair and bun are treated in very schematic wavy strands. A line of red paint encircled the hair and enhanced the eye...

The hair and uṣnīṣa of the Buddha are treated in wavy furrows running from front to back. It is noticeable that the hair...

The hair and bun are treated in wavy strands. The ūrṇā is represented by a stucco button at the junction between the nos...

The hair and the uṣnīṣa are highly stylised, treated in wavy furrows parallel to the forehead. There is no longer any tr...

The strands of the hair and the uṣnīṣa bun are stylised, represented by furrows. The curls frame the forehead, which is ...

The uṣnīṣa bun and the once distorted earlobes are broken; the gemstone ūrṇā that adorned the forehead has been torn off...

The skull is slightly brachycephalic. The uṣnīṣa bun is not distinguishable, and the ūrṇā, made of precious stone has be...

The uṣnīṣa is, like the hair, wavy from front to back. The ūrṇā is figured by a small stucco button placed barely above ...

This Buddha with a smiling, blissful face is Indian in style. The hair is treated in large wavy locks going from front t...

The face of this Indian-style Buddha is elongated and thin. The hair and the uṣnīṣa bun, very imposing here, are treated...

The uṣnīṣa bun as well as the hair are figured by wavy strands. The ūrṇā on the forehead cannot be distinguished. The al...

The face, of Indian inspiration, is round and childlike. The hair and the bun are treated in wavy furrows. The usual cha...

The traits of this Buddha are delicately executed. The gentle expression on the face represents him as withdrawn in medi...

The Buddha bears the characteristic marks: the uṣnīṣa and the deformed earlobes, as well as the ūrṇā figured by a small ...

This Buddha head, in Indian profile, is very well preserved. The hairstyle is completely stylised: the undulation is ind...

The face of this Buddha is of Central-Asian inspiration. The forehead is curved, the painted eyebrows draw a very large ...

The Buddha's facies is of Asian inspiration. The locks are stylized in furrows dug from front to back. The broken uṣnīṣa...

The skull is slightly brachycephalic. The face is round, childlike and smiling. The locks of the hair and the uṣnīṣa are...

The hair and the uṣnīṣa are massive. The undulation is entirely stylised, summarily indicated by cavities. The face is s...

The facial lines are of Indian inspiration. The uṣnīṣa is depicted as a high, spiky frontal bun. The hair has here arriv...

The uṣnīṣa is frontal, high and pointed. The locks of the hair are stylised, rendered in elongated cavities. The traits ...

Buddha's head badly damaged. The hair and uṣnīṣa are stylised in wavy furrows. The facial lines are crudely executed, th...

The style of this Buddha announces the later art of Fondukistan. The bun is broken. The waves of undulating hair go from...

This Indian-inspired work is full of delicacy. The face is oval, the arches not very emphasized, the line of the nose ni...