Path 03 of 17 · 20 works
Donors, Monks and Brahmans
This path presents twenty sculptures depicting human figures: lay donors, Buddhist monks (bhikṣu) and brahmans. From Tapa Kalān and Bāgh Gaï, these stucco works offer a panorama of the social types represented in the monastic art of Haḍḍa. One can observe the diversity of physiognomies, ages and statuses.
Locate these works on the excavation plan(5/20)

1 / 20
Head of a brahman, possibly god Brahma
Tapa Kalān · Stucco
Head of Brahma or young brahman from Tapa Kalān. The identification hesitates between the god Brahma and a young brahman.
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2 / 20
Head of a donor, or god Indra
Bāgh Gaï · Stucco
Head of a donor or Indra from Bāgh Gaï. This figure could represent either a lay donor or the god Indra.
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3 / 20
Head of Monk Bhikṣu
Bāgh Gaï · Stucco
Head of Monk Bhikṣu from Bāgh Gaï. The shaved head clearly identifies this figure as a Buddhist monk.
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4 / 20
Head of Monk Bhikṣu
Tapa Kalān · Stucco
Head of Monk Bhikṣu from Tapa Kalān. The careful modelling of the face restores a meditative expression.
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5 / 20
Head of Monk Bhikṣu
Tapa Kalān · Stucco
Head of Monk Bhikṣu from Tapa Kalān. A second monk example allowing stylistic comparison.
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6 / 20
Bhikṣus Monks, Novice with a lock of hair
Tapa Kalān · Stucco
Bhikṣu Monks or Novices with a lock of hair from Tapa Kalān. This fragment shows monks or novices wearing a lock of hair.
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7 / 20
Head of Monk Bhikṣu
Bāgh Gaï · Stucco
Head of Monk Bhikṣu from Bāgh Gaï. The style of Bāgh Gaï is distinguished by certain modelling details.
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8 / 20
Bust of Brahman
Tapa Kalān · Stucco
Bust of Brahman from Tapa Kalān. This bust preserves part of the torso, rare for Haḍḍa pieces.
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9 / 20
Head of Brahman
Tapa Kalān · Stucco
Head of Brahman from Tapa Kalān. The treatment of the hair and beard characterizes this brahman figure.
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10 / 20
Head of god Indra or a donor
Tapa Kalān · Stucco
Head of Indra or a donor from Tapa Kalān. The identification oscillates between the god Indra and a lay donor.
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11 / 20
Brahma or young brahman
Tapa Kalān · Stucco
Brahma or young brahman from Tapa Kalān. The youth of the modelled face is striking.
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12 / 20
Head of Brahman
Tapa Kalān · Stucco
Head of Brahman from Tapa Kalān. The facial features are realistic, typical of Haḍḍa's naturalistic approach.
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13 / 20
Head of a female donor
Tapa Kalān · Stucco
Head of a female donor from Tapa Kalān. One of the rare female figures identified as a donor in the Haḍḍa corpus.
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14 / 20
Head of a young donor
Tapa Kalān · Stucco
Head of a young donor from Tapa Kalān. The youthful face and careful treatment of the hairstyle distinguish this piece.
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15 / 20
Head of a donor
Bāgh Gaï · Stucco
Head of a donor from Bāgh Gaï. This piece from Bāgh Gaï allows comparison with the donors from Tapa Kalān.
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16 / 20
Head of a donor
Tapa Kalān · Stucco
Head of a donor from Tapa Kalān. The figure wears clothing attributes characteristic of a layperson.
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17 / 20
Head of a young donor
Tapa Kalān · Stucco
Head of a young donor from Tapa Kalān. The fineness of the modelling underlines the youth of the figure.
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18 / 20
Head of an elderly donor
Tapa Kalān · Lime-based Stucco
Head of an elderly donor from Tapa Kalān. The wrinkles and facial expression mark the advanced age of the figure.
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19 / 20
Donor and Monks
Tapa Kalān · Stucco
Donor and Monks from Tapa Kalān. This rare fragment shows a lay donor alongside Buddhist monks.
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20 / 20
Head of a young Donor
Bāgh Gaï · Stucco
Head of a young donor from Bāgh Gaï. Last example in this path, from Bāgh Gaï.
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FindspotBāgh Gaï